Anyone who directs and completes a film on the scale of The Odyssey deserves respect. Bringing such an undertaking—logistically, technically, financially, artistically—to the screen is an extraordinary achievement; critics like me have an easy job. In the immortal words of the most fearsome and magnificently
Chinese filmmaker Li Ruijun graces the cover of the inaugural issue of UIC student magazine Converse. Born in Gansu and known for his patient, unsentimental attention to rural life, labour, family, and the quiet violence of social change, Li has emerged as one of the
Hi, Yuka! Hi, Khai. Yuka, you are first of all an artist. I wonder why you decided to join the Place M Film Festival and become a kind of curator and manager? As I worked at the photo gallery as a filmmaker, I always wondered:
Since its establishment in 1987, Place M, a photography gallery located in Shinjuku, Tokyo, has served as a venue for the experience of photographic expression and experimentation. With the establishment of the film department and the first Place M Film Festival in 2019, the organizers
OPEN CALL FOR PROPOSALS: FILM TALENTS – VOICES FROM PAKISTAN AND AFGHANISTAN ABOUT THE PROGRAM FOR FILM TALENTS – VOICES FROM PAKISTAN AND AFGHANISTAN: What? The Prince Claus Fund and Goethe-Institut have collaborated to set up an Open Call for Proposals for the programme “Film Talents
Society for Cultural Education (SCE) and THAAP in collaboration with SOC Films Screening and Panel Discussion on Sharmeen Obaid-Chinoy’s Academy Award Winning Film ‘A Girl in the River: The Price of Forgiveness’ Panelists: Dr. Fareeha Zafar, Tanvir Fatima Rahman, Sualeha Qureshi (Film Crew) and Wasif
